HUSH – TWINS @ New Image Art Gallery
HUSH - TWINS
May 21st - June 18th, 2011
Opening Reception: SATURDAY May 21, 2011, 7 -10pm
New Image Art Gallery
7908 Santa Monica Blvd.
West Hollywood
CA 90046
Phone / Fax 323 654 2192
info at newimageartgallery dot com
Having originally trained as a graphic designer and illustrator at Newcastle School of Art and Design, Hush’s art practice has taken him throughout Asia, Europe and the USA, while simultaneously developing his prominence as a contemporary artist. His immersion in a diversity of cultures has informed his work largely recognized for its portrayal of the amaranthine of the female form while infusing cross-cultural influences and variant genres within contemporary art. A distinguishing facet of Hush’s work is the complexity of his technique that combines various street approaches with traditional art practices. Through the use of opposing themes and aesthetics, the artist presents contemporary depictions of traditional portrait and figurative imagery....
Streets / Preview: RETNA – “Street Cred” @ Pasadena Museum of Californian Art

On May 15th, the
Pasadena Museum of California Art opens their doors to Street Cred, an exhibition celebrating the art of graffiti, be it in it’s basic form or as a formative tool in the current career and work of fine artists. Interestingly enough, the showing was conceived of before the current
Art in the Streets exhibition but was scheduled further in the future and also includes some of the artists from the MOCA. With what looks to be mainly in-state artists, the list includes Michael Alvarez, ANGST, AXIS, Chaz Bojórquez, CODAK, CRAOLA, DASH 2000, Ekundayo, EYEONE, HASTE, Paul SKEPT Kanemitsu, Alex Kizu, KOFIE, MAN ONE, MEAR ONE, Juan Carlos Muñoz Hernandez, Jose Lopez, Erick Montenegro, Nicnak, PUSH, RISK, Jeff Soto, Evan Skrederstu, REVOK, SABER, SHANDU, Jesse Simon, SINER, ZES, and as you can see above –
RETNA. The street calligraphist has starting painting one of the walls of the museum and AM was on hand to capture some snapshots for you courtesy of Brandon Shigeta....
Art Show: STREET ART – Meanwhile in deepest east anglia, thunderbirds were go…

I couldn't believe my luck when I found out yesterday that there'll be a Street Art exhibition very close to my hometown with contributing artists Ash, Herbert Baglione, Boxi, Brad Downey, Ben Eine, Faith47, Boris Hoppek, Mark Jenkins, JR, Os Gêmeos, Mirko Reisser (DAIM), Swoon, and Zezão! Also, in case you don't know, the Von-der-Heydt Kunsthalle is one of the biggest art museums in this area. Here is some more information:...
Art Show: Sweet Toof – Dark Horse @ Factory Fresh
Opening April 29th, 7-10pm
On view till May 22nd, Gallery is open Wednesday - Sunday from 1-7pm
Having chewed up the streets of London’s east end, British artist Sweet Toof takes a bite out of the Big Apple with his first New York solo exhibition, Dark Horse. Revealing a new series of original works, Sweet Toof’s Trojan Horse greets the city that never sleeps ‘til Brooklyn at the freshest factory in town....
Graffiti Vandalism Follows ‘Art in the Streets’ Show at MOCA in Little Tokyo

Police have received complaints from downtown dwellers about an increase in vandalism they think is related to MOCA's upcoming "Art in the Streets" show at the Geffen Contemporary.
It's not clear to us if residents and business owners have a problem with some of the clearly related murals that have gone up in the area or some of the tagging that has followed. But either way, it's all illegal, the LAPD's Jack Richter tells the Weekly.
Come again?
Yeah, even a mural that's going up on the actual Geffen in Little Tokyo would be verboten under city rules.
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Money Tight, Museums Favor Their Own Works Over Traveling Shows

Metropolitan Museum of Art
When the recession forced museums to cut back on expensive loan shows a few years ago, some worried that it would hurt attendance: With great works from around the world replaced by stuff hauled up from storage rooms, would art lovers’ hearts still flutter?
Now, though, many museum directors are finding virtue in necessity. Shows built largely from in-house collections have drawn well, they say, and curators are introducing the public to unsung treasures.
“If the recession has compelled us as museums in this country to focus even more intensely than we have in the past on our collections, that’s a good thing,” said Glenn D. Lowry, the director of the Museum of Modern Art. “Because they’re our primary responsibility.”
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