Just this Saturday night, Roberts & Tilton packed the house for the latest installment of Kehinde Wiley’s The World Stage series. Taking his signature brand of portraiture to Israel and the surrounding region, rife with tumultuous conflict and historical context, was a natural next step for the New York-based painter, as he continues his exploration of power and politics. Mostly large scale paintings from urban anthropologist and artist filled the spacious gallery and its multiple rooms with richly detailed works featuring youths assuming the poses of old renaissance paintings surrounded by the patterns, language, and imagery of Israel.
Kehinde Wiley
Join us for an evening for Japan's children at the Bowery Hotel. Hosted by Candice Kumai, Harold Dieterle, and Angelo Sosa of Top Chef! We are sadly finding that donations to Japan are much lower than those made to Katrina and the Indonesia/Thailand, so let's do our part to get help out there!
Follow us @4JapanKids #EPH
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Metropolitan Museum of Art
Early last year, after six hard months soldiering in Afghanistan, a group of American infantrymen reached a momentous decision: It was finally time to kill a haji.
Among the men of Bravo Company, the notion of killing an Afghan civilian had been the subject of countless conversations, during lunchtime chats and late-night bull sessions. For weeks, they had weighed the ethics of bagging "savages" and debated the probability of getting caught. Some of them agonized over the idea; others were gung-ho from the start. But not long after the New Year, as winter descended on the arid plains of Kandahar Province, they agreed to stop talking and actually pull the trigger....