LOS ANGELES—To the Los Angeles Museum of Contemporary Art, Revok is a renowned artist whose bright, sprawling work is worthy of display in its latest exhibit. To the Los Angeles County Sheriff's Department, Revok is Jason Williams, also known as inmate No. 2714221. Last month, Mr. Williams was sentenced to 180 days in county jail as a result of a probation violation from a graffiti incident, just days after the opening of a major museum exhibit dedicated to "street art" that features his work. Unable to post his $320,000 bail, Mr. Williams sat in jail for four days before the sentencing. It may be illegal on the street, but inside the Los Angeles Museum of Contemporary Art, a new exhibit celebrates the history of graffiti, featuring work by artists like Banksy and Shepard Fairey. WSJ's Tammy Audi reports. Law-enforcement officials around the country are prosecuting graffiti artists with harsher sentences than ever, pushing for felony charges, real prison time and restitution payments as they seek to wipe graffiti from the streets. At the same time, the art world and corporations are embracing the form like never before. "You can make a case that graffiti and street art is the most influential art movement since the great innovations of the '60s," says Jeffrey Deitch, director of the L.A. museum, known as MOCA. "Before this show, no American museum had ever done an ambitious historical exhibition."...Work by artists Revok and Rime is part of an exhibition at MOCA in Los Angeles. The artist known as Revok is in an L.A. jail on charges related to a graffiti incident.
Just this Saturday night, Roberts & Tilton packed the house for the latest installment of Kehinde Wiley’s The World Stage series. Taking his signature brand of portraiture to Israel and the surrounding region, rife with tumultuous conflict and historical context, was a natural next step for the New York-based painter, as he continues his exploration of power and politics. Mostly large scale paintings from urban anthropologist and artist filled the spacious gallery and its multiple rooms with richly detailed works featuring youths assuming the poses of old renaissance paintings surrounded by the patterns, language, and imagery of Israel.
Kehinde Wiley
