Beyoncé’s “4” : A Track-by-Track Breakdown
Beyoncé's new album 4 is a change of pace for the R&B queen. While her first three solo albums were full of blockbuster jams, 4 is a more relaxed, personal set that emphasizes ballads over bangers and showcases the singer's nuances; it's very much the sort of album a pop star makes when she doesn't feel like she has anything to prove. (She seems, in other words, to have set aside her alter ego Sasha Fierce for the moment.) 4 won't be in stores until June 24th, but since it leaked this week, here's a track-by-track preview of the album's 12 songs.
1. "1+1" - The album opens with its most tender ballad, a slow-burning number that calls back to both Sam Cooke's "Wonderful World" and Prince's "Purple Rain" without sounding like a retread of either tune. The song is already available as a single, but it sounds best in the context of the album, where its slow, steady build to a cathartic guitar break is the perfect introduction to a set of mostly low-key tracks about love and heartbreak.
2. "I Care" - "I know you don't care too much, but I still care," Beyoncé sings over cooing background vocals and dense percussion, delivering the words with a devastating blend of sadness and resentment. It may not be an obvious single, but it's one of the finest tracks on the record.
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Art Show: NOUAR “Internally Yours” & Joshua Petker “Celluloid Constellations”
Corey Helford Gallery
presents new works by
NOUAR “Internally Yours”
Featuring a Special Mini-Exhibition in the Upstairs Gallery
by Joshua Petker
“Celluloid Constellations”
Opening Reception Saturday, June 11, 2011 from 7-10pm
On View June 11 – June 29, 2011
On Saturday, June 11, Nouar will unveil “Internally Yours”, the Los Angeles artist’s first solo exhibition at Corey Helford Gallery, and her most avant-garde to date.
The works in “Internally Yours” feature three-dimensional sugary confections, gelatin dessert molds and a bright, beguiling color palette that lure the viewer in. However, like Jeff Koons’ brightly-colored balloon animals, the characters have a significance beyond their deceptively innocent appearance. “For this show,” Nouar says, “I used food as a visual metaphor to symbolize how dangers are hidden, and how we don’t see them coming until it is too late.” For example, in her painting “Sweet Entrapment,” a bright-pink gummy bear smirks at the doe-eyed brunette trapped inside its stomach.
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