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The Chicago Sun Times published this very interesting article about Linkin Park's marketing strategies:
Linkin Park wasn’t supposed to still be around. Appearing on the scene in 2000, the band barely distinguished itself from its contemporaries in rap-rock, the harsh hybrid of rage and rhyme that ruled the airwaves at the turn the century with chart-topping and aptly named bands like Korn and Limp Bizkit. But Linkin Park possesses commercial instincts the others didn’t. From the 2000 debut of “Hybrid Theory,” a multiplatinum cash cow whose liner notes started a band tradition of providing lengthy product endorsements, through a new album, the kinder and gentler “A Thousand Suns,” Linkin Park has sought to express its angst, sure, but always just within the confines of what sells....
On January 29th, Corey Helford Gallery will unveil “In The Nursery”, its first major group exhibition of 2011. Following in the tradition of CHG’s renowned Bristol Museum exhibition, “Art From The New World”
in 2010 and the star-studded paint-by-numbers exhibition in 2007, “Charity By Numbers”, this unique new group show continues the exploration and re-interpretation of Americana by twenty-six internationally acclaimed artists.
The line-up features stellar new work by artists from the Street Art and New Fine Art Movements, including Aiko (formerly of FAILE), Shawn Barber, Ray Caesar, Sas and Colin Christian, Eine, Paul Frank, HUSH, Sage Vaughn, Michael Mararian and many more....