Music Business 2 results

The Gossip Machine, Churning Out Cash

I just found a great article from the New York Post that shows how "Celebrity Gossip" has developed into a new form of business for celebrities and gossip sites such as TMZ or Radar. Every little bit of the celebrities private lifes is exploited by the media and millions of people can't get enough of the juicy details of Schwarzenegger's affair, Charlie Sheen's latest outburst or the juicy details of Robert Pattinson's relationship with Kristen Stewart. The public life is forced onto them as soon as they've entered the entertainment business, and either they try to resist by avoiding known celebrity hot spots and leading a quiet life behind closed doors, or they try to use the cameras following their every move to boost their fame. This is often a dirty game as the gossip sites have proved their unscrupulous work ethic in the past, e.g. when they've obtained pictures of Rihanna after she was beaten up by her then-boyfriend Chris Brown, or when they've bought the medical records of Britney Spears after her hospitalization in Cedar's-Sinai Medical Center in 2008, not forgetting the death of Lady Diana in a car accident after she was chased by a horde of paparazzi. ...

XL Recordings boss Richard Russell: The secrets of surviving in the music industry

Richard Russell Unless you're an obsessive fan of Kicks Like a Mule's 1992 rave hit the Bouncer – and let's face it, that leaves about three of you – then chances are you won't recognise the man sat sprawled across a big brown leather couch in his Ladbroke Grove offices. If, however, you are a fan of innovative new music, then you probably should. For this is Richard Russell, the boss of XL Recordings, a label that has bucked the trend for gloomy music industry stories over the past decade by breaking a stream of commercially successful yet critically drooled-over artists. The Prodigy, Dizzee Rascal and MIA have all made music on XL, showcasing exactly what the label does best – taking innovative music into the mainstream. Whether it is Dizzee's success opening the doors for the current grime/pop success of Tinie Tempah et al, or Vampire Weekend heralding the indie scene's recent obsession with Afropop, XL likes to break new artists and build the foundation blocks of an emerging scene as it does so. ...