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The Chicago Sun Times published this very interesting article about Linkin Park's marketing strategies:
Linkin Park wasn’t supposed to still be around. Appearing on the scene in 2000, the band barely distinguished itself from its contemporaries in rap-rock, the harsh hybrid of rage and rhyme that ruled the airwaves at the turn the century with chart-topping and aptly named bands like Korn and Limp Bizkit. But Linkin Park possesses commercial instincts the others didn’t. From the 2000 debut of “Hybrid Theory,” a multiplatinum cash cow whose liner notes started a band tradition of providing lengthy product endorsements, through a new album, the kinder and gentler “A Thousand Suns,” Linkin Park has sought to express its angst, sure, but always just within the confines of what sells....
On January 29th, Corey Helford Gallery will unveil “In The Nursery”, its first major group exhibition of 2011. Following in the tradition of CHG’s renowned Bristol Museum exhibition, “Art From The New World”
in 2010 and the star-studded paint-by-numbers exhibition in 2007, “Charity By Numbers”, this unique new group show continues the exploration and re-interpretation of Americana by twenty-six internationally acclaimed artists.
The line-up features stellar new work by artists from the Street Art and New Fine Art Movements, including Aiko (formerly of FAILE), Shawn Barber, Ray Caesar, Sas and Colin Christian, Eine, Paul Frank, HUSH, Sage Vaughn, Michael Mararian and many more....
Many joggers don earbuds and listen to music to distract themselves from the rigors of running. But might the Black Eyed Peas or Rihanna distract them so much that they jog into traffic?
That is the theory of several lawmakers pushing the latest generation of legislation dealing with how devices like iPods and cellphones affect traffic safety. The ubiquity of interactive devices has propelled the science of distraction — and now efforts to legislate against it — out of the car and into the exercise routine....
'A' is an exhibition of future perspectives... The future perspectives of two very different artists who have shared ideas, time and concrete. The title 'A' is as much about a new beginning as it is a reference to the Avant garde or Abstraction of their Alternative works. The Alphabet was the starting point for both these artist's careers and the fact they have now develo...ped those classic icons and forms into heavily abstracted formations and broken landscapes, reiterates a new beginning. Remi/Rough and Steve More share a tradition of steering against the mainstream to produce work that is both culturally relevant and unique in its vision. For ‘A’ the artists explore the correlations between their work after seven years of development apart. Steve has recently returned to the UK after being based in New Zealand and Remi’s last major show was in London two years ago. Since then he has travelled extensively cementing his reputation both abroad and at home in London. The artists first met in the early 90’s and worked closely over the following ten years, playing a progressive role in the international graffiti art scene. Their focus on self expression and originality whilst working in the urban vernacular has had a lasting influence on their works, and each other. Since they parted ways in 2003 their work diverged but some similarities remain highly evident. Remi’s recent work is an evolution of the letterform from his early graffiti pieces. Lines, shapes and form are dramatically skewed to create a perspective suggesting they occupy a 3D environment. His work is as much about the negative space he creates as it is the positive space he uses. The vibrant compositions and textures evoke graffiti from an imagined futuristic society. Steve More’s work has a tactile quality that is derived from the surfaces in his environment. Found and discarded materials are assimilated into pixels, questioning how the computer age affects our perceptions of time and place. His work is meticulously crafted using the forming and subsequent erosion of materials as an important part of the process. In contrast, Remi’s work is less premeditated and more concerned with immediacy of the moment. The title for the show ‘A’ holds a significant meaning for both artists: It symbolises new beginnings and heralds a coming of age. It also gives a nod to their past muse: Letter form (A being the first letter of the alphabet). It also bears light on the ‘Abstract’ world in which they convey their ‘Art’, and their ‘Avant garde’ attitude with which they produce it. As well as producing individual work Remi/Rough and Steve More are members of the influential art collective - Agents of Change.
Not my Life, an independent documentary on child exploitation and abuse today premiered at New York’s Lincoln Centre. The film, which was filmed across five continents, looks at the devastating issues of child trafficking, sexual exploitation and child labour.
Not My Life features Dr. Nicholas Alipui, UNICEF Director of Programmes, and Dr. Susan Bissell, UNICEF’s Chief Child Protection, who provide insight into the key issues.
“It is important to bring global awareness to these issues. Trafficking of children is a grave violation of their rights, robbing them of their childhood, their well-being, and the opportunity to reach their full potential,” said Dr. Susan Bissell. “Documentaries such as Not my Life are important, because they spotlight abuses that are otherwise often underreported.”...